Mornings in Mexico (Paperback) Review

Lawrence was a good traveller in these parts and he spent a lot of time carefully observing the Indians he met along the way.He was particularly interested in the ways of thought of the Indians and their religious beliefs and the ways their ideas differed from yours and mine. On simple concepts like time and distance, for example: "To an Indian, time is a vague, foggy reality.There are only three times: en la manana (morning); en la tarde (afternoon); en la noche (night).But to the white monkey (you and me) there are exact spots of time, such as five o'clock and half past three." The Indian's concept of God was different from ours."With the Indians...there is strictly no god.The Indian does not consider himself as created and therefore external to God, or the creature of God. There is, in our sense of the word, no God. But all is godly. There is no great mind directing the universe. Yet the mystery of creation, the wonder and fascination of creation shimmers in every leaf and stone... There is no God looking on. The only God there is is involved all the time in the dramatic wonder and inconsistency of creation. God is immersed, as it were, in creation, not to be separated or distinguished.There can be no ideal God." Lawrence does a wonderful job of digging into this exotic culture and explaining to us the significance of Indian rituals and dances. I particularly liked one of his statements: "The Indian is completely immersed in the wonder of his own drama." There is also a lovely example of descriptive travel writing in "Market Day", a chapter that makes you slow down your reading pace to savor the beautiful descriptions of small things like a bird's flight or flowers in a doorway. I guess this is the difference between reading and information-processing, which we do so much of today.

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Product Description:
Much of D.H. Lawrence's life was defined by his passion for travel and it was those wanderings that gave life to some of his greatest novels. In the 1920s Lawrence travelled several times to Mexico, where he was fascinated by the clash of beauty and brutality, purity and darkness that he observed. The diverse and evocative essays that make up Mornings in Mexico wander from an admiring portrayal of the Indian way of life to a visit to the studio of Diego Rivera and are brightly adorned with simple and evocative details: piles of fruit in a village market, strolls in a courtyard filled with hibiscus and roses, the play of light on an adobe wall. It was during his time in Mexico that Lawrence re-wrote The Plumed Serpent, which is infused with his own experiences there. To read Mornings in Mexico is thus to discover the inspiration behind of one of Lawrence's most loved works and to be immersed in a portrait of the country like no other.--This text refers to an alternate Paperback edition.

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